Hollywood’s movie Batman v Superman movie review: Dawn of Justice begins and ends with a funeral seems one long expression of grief or sorrow for the dead.
Dreary, the producer of the film Batman v Superman, showed the nominal confrontation between the two comic-doms. Both the mythic superheroes serves as a grim reminder of just how bad Man of Steel really was.
Director, Zack Snyder tried to return to those questionable core values in a film that replaces fascination and suspense with a series of amazements, dignified observations about men, gods, martyrs and saviors which reflect present issues such as terrorism, drones and immigration.
Superman v Batman, strive to get two saviors of humanity to the ultimate showdown, and maybe launch an “Avengers”. Director tried his best to put off that final confrontation, keeping Bruce and Clark Kent on their separate paths. Screenwriters are Chris Terrio and David S. Goyer. Written by Jesse Eisenberg in a jittery.
Batman v Superman is a completely serious film with no fun at all. Rather than escapism and sensory exhilaration, viewers get confused with the characters dominance shown by the director. The movie begins where Man of Steel left off – that is, with Superman laying waste to the futuristic city of Metropolis in order to save it. Appalled, millionaire orphan Bruce Wayne (Ben Affleck) worries that the new neighborhood vigilante is accountable to no one – unlike Bruce, who at least has to answer to his lifelong factotum, Alfred.
Batman v Superman fulfills the fantasy of Snyder’s vision towards saving the society.But it is not particularly distinguished or convincing. Chasing scenes, explosions, beat-downs, shootouts and the final, brutalizing mano-a-mano all looks unnatural from generic elements of other movies, crashing into a rock-em, sock-em rubble of glass, steel, rain and polystyrene concrete.
Overall view of the audience regarding the films expresses it to be boring apart from the role of Holly Hunter’s role as a U.S. senator skeptical of Superman’s motives. And Gal Gadot exudes both mystery and muscle as Wonder Woman, who shows up way too late to do way too little. The same could be said for Diane Lane, here cast as Clark’s Midwestern mom, even though she has enough the glamor and character to express a superhero in her way.
If Seen through, it suggests that the slate is always blank, waiting to be re-inscribed or, better yet, smashed altogether. In the meantime, our heroes desperately need a new life but not another death.